“The foremost of my laywomen disciples in first going for refuge is Sujātā of the town of Senā.”
Chapter Seven
AN 1.258-267 · 20. Sattamavagga

“… as a donor is Visākhā, Migāra’s mother.”
“… who are very learned is Khujjuttarā.”
“… who dwell in love is Sāmāvatī.”
“… who practice absorption is Uttarā, Nanda’s mother.”
“… who give fine things is Suppavāsā the Koliyan.”
“… who care for the sick is the laywoman Suppiyā.”
“… who have experiential confidence is Kātiyānī.”
“… who are trusting is the housewife Nakula’s mother.”
“… whose confidence is based on oral transmission is the laywoman Kāḷī of Kuraraghara.”
Connections
Collection & context
- Aṅguttara NikāyaThe collection containing this text
- The Pāli canonCanonical collection in which this edition is preserved
- Theravāda traditionsTransmission and study context
- The early Buddhist communityHistorical and traditional setting
Books
- The Numerical Discourses of the Buddha: A Translation of the Aṅguttara NikāyaBhikkhu Bodhi; Bhikkhu Bodhi (translator) · Complete collection edition
About this edition
Translation by Bhikkhu Sujato · SuttaCentral · CC0
This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.
Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader. This source combines a range of related numbered discourses.
The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.