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372. Migapotaka Jātaka

Ja 372

An imagined Tibetan landscape inspired by Mount Kailash.

This edition includes the canonical verses together with the later commentarial stories.

“To sorrow for the dead,” etc.—This story the Master, whilst dwelling at Jetavana, told about a certain elder. It is said that he admitted a youth to orders, and that this novice, after ministering to him zealously, by and bye fell sick and died. The old man overcome with grief at the youth’s death went about loudly lamenting. The Brethren, failing to console him, raised a discussion in the Hall of Truth, saying, “A certain old man on the death of his novice goes about lamenting. By dwelling on the thought of death, he will surely become a castaway.” When the Master came, he inquired of the Brethren what was the subject they had met to discuss, and on hearing what it was he said, “Not now only, but formerly also, the old man went about lamenting, when this youth died.” And with this he related a story of the past.

Once upon a time in the reign of Brahmadatta, king of Bewares, the Bodhisatta was born in the form of Sakka. At that time a man, who lived in the kingdom of Kasi, came into the Himalaya region, and PTS vp En 141 adopting the life of an ascetic lived on wild fruits. One day he found in the forest a young deer that had lost its dam. He took it home to his hermitage, and fed and cherished it. The young deer grew up a handsome and comely beast, and the ascetic took care of it and treated it as his own child. One day the young deer died of indigestion from a surfeit of grass. The ascetic went about lamenting and said, “My child is dead.” Then Sakka, king of heaven, exploring the world, saw that ascetic, PTS vp Pali 214 and thinking to alarm him, he came and took his stand in the air and uttered the first stanza:

To sorrow for the dead doth ill become
The lone ascetic, free from ties of home.

The ascetic no sooner heard this than he uttered the second stanza:

Should man with beast consort, O Sakka, grief
For a lost playmate finds in tears relief.

Then Sakka repeated two stanzas:

Such as to weep are fain may still lament the dead,
Weep not, O sage, ’Tis vain to weep the wise have said.

If by our tears we might prevail against the grave,
Thus would we all unite our dearest ones to save.

While Sakka was thus speaking, the ascetic recognising that it was useless to weep, and singing the praises of Sakka, repeated three stanzas :

PTS vp Pali 215 As ghee-fed flame that blazes out amain
Is quenched with water, so he quenched my pain.

With sorrow’s shaft my heart was wounded sore:
He healed my wound and did my life restore.

The barb extracted, full of joy and peace,
At Sakka’s words I from my sorrow cease.

After thus admonishing the ascetic, Sakka departed to his own place of abode.

The Master here ended his lesson and identified the Birth—“At that time the old man was the ascetic, the novice was the deer, and I myself was Sakka.”

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About this edition

Translation by H.T. Francis and R.A. Neil · SuttaCentral · Public domain

The source expressly identifies this translation as public domain.

The Jātaka, or Stories of the Buddha’s Former Births, edited by E.B. Cowell, published by The Cambridge University Press.

  • Vol. 1, translated by Robert Chalmers, 1895.
  • Vol. 2, translated by W.H.D. Rouse, 1895.
  • Vol. 3, translated by H.T. Francis and R.A. Neil, 1897.
  • Vol. 4, translated by W.H.D. Rouse, 1901.
  • Vol. 5, translated by H.T. Francis, 1905.
  • Vol. 6, translated by E.B. Cowell and W.H.D. Rouse, 1907.

These translations are in the public domain. You are free to do whatever you like with them.

Scanned, proofed and formatted at sacred-texts.com, January 2006–February 2010, by John Bruno Hare and others. Thanks to the Sacred Texts Archive for making these texts available in digital form.

Prepared for SuttaCentral by Bhikkhu Sujato.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.