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← Saṃyutta Nikāya

Ugly

SN 11.22 · Dubbaṇṇiyasutta

A small wildflower thriving in a narrow crack in stone.

Near Sāvatthī in Jeta’s Grove.

“Once upon a time, mendicants, there was a native spirit who was ugly and deformed. He sat on the throne of Sakka, lord of gods.

But the gods of the thirty-three complained, grumbled, and objected, ‘Oh lord, how incredible, how amazing! This ugly and deformed spirit is sitting on the throne of Sakka, the lord of gods.’ But the more the gods complained, the more attractive, good-looking, and lovely that spirit became.

So the gods went up to Sakka and told him what had happened. He replied, ‘Surely, good fellow, that must be the anger-eating spirit!’

Then Sakka went up to that spirit, arranged his robe over one shoulder, knelt on his right knee, raised his joined palms toward the anger-eating spirit, and pronounced his name three times: ‘Good fellow, I am Sakka, lord of gods! Good fellow, I am Sakka, the lord of gods!’ But the more Sakka pronounced his name, the uglier and more deformed the spirit became, until eventually it vanished right there.

Then Sakka, lord of gods, guiding the gods of the thirty-three, spoke this verse:

‘My mind isn’t easily upset; I’m not easily drawn into the maelstrom. I don’t get angry for long, anger doesn’t last in me.

When I do get angry I don’t speak harshly, nor do I advertise my own virtues. I carefully restrain myself out of regard for my own welfare.’”

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About this edition

Translation by Bhikkhu Sujato · SuttaCentral · CC0

This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.