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← Saṃyutta Nikāya

A Turtle

SN 17.3 · Kummasutta

Ripe pears and soft green leaves on an old orchard tree.

At Sāvatthī.

“Possessions, honor, and popularity are grim …

Once upon a time, in a certain lake there was a large family of turtles that had lived there for a long time. Then one of the turtles said to another, ‘My dear turtle, don’t you go to that place.’

But that turtle did go to that place, and a hunter pierced her with a harpoon.

Then that turtle went back to the other turtle. When the other turtle saw her coming off in the distance, he said, ‘My dear turtle, I hope you didn’t go to that place!’

‘I did.’

‘But my dear turtle, I hope you’re not hurt or injured!’

‘I’m not hurt or injured. But this cord keeps dragging behind me.’

‘Indeed, my dear turtle, you’re hurt and injured! Your father and grandfather met with tragedy and disaster because of such a cord. Go now, you are no longer one of us.’

‘Hunter’ is a term for Māra the Wicked.

‘Harpoon’ is a term for possessions, honor, and popularity.

‘Cord’ is a term for greed and relishing.

Whoever enjoys and likes arisen possessions, honor, and popularity is called a mendicant who has been pierced with a harpoon. They’ve met with tragedy and disaster, and the Wicked One can do with them what he wants.

So grim are possessions, honor, and popularity. …”

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Translation by Bhikkhu Sujato · SuttaCentral · CC0

This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.