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← Saṃyutta Nikāya

The Simile of the Harp

SN 35.246 · Vīṇopamasutta

Braided river channels flowing around pale gravel islands.

“Mendicants, any monk or nun who has desire or greed or hate or delusion or aversion come up for sights known by the eye should shield their mind from them: ‘This path is dangerous and perilous, thorny and tangled; it’s a wrong turn, a bad path, in poor condition. This path is frequented by untrue persons, not by true persons. It’s not worthy of you.’ The mind should be shielded from this when it comes to sights known by the eye.

Any monk or nun who has desire or greed or hate or delusion or repulsion come up for sounds … smells … tastes … touches … ideas known by the mind should shield their mind against them: ‘This path is dangerous and perilous, thorny and tangled; it’s a wrong turn, a bad path, a sorry state. This path is frequented by untrue persons, not by true persons. It’s not worthy of you.’ The mind should be shielded from this when it comes to ideas known by the mind.

Suppose the crops have ripened, but the caretaker is negligent. If an ox fond of crops invades the crops they’d indulge themselves as much as they like.

In the same way, when an unlearned ordinary person doesn’t exercise restraint when it comes to the six fields of contact, they indulge themselves in the five kinds of sensual stimulation as much as they like.

Suppose the crops have ripened, and the caretaker is diligent. If an ox fond of crops invades the crops the caretaker would grab them firmly by the muzzle. Then they’d grab them above the hump and hold them fast there. Then they’d give them a good thrashing before driving them away. For a second time, and even a third time, the same thing might happen. As a result, no matter how often they might stand or sit in a village or wilderness, that ox fond of crops would never invade that crop again, remembering the beating they got earlier.

In the same way, when a mendicant’s mind is straightened up, well straightened up when it comes to the six fields of contact, becomes stilled internally; it settles, unifies, and becomes immersed in samādhi.

Suppose a king or their chief minister had never heard the sound of an arched harp. When he first hears the sound, he’d say, ‘Oh my, what is making this sound, so arousing, sensuous, intoxicating, infatuating, and captivating?’

They’d say to him, ‘That, sir, is an arched harp.’

He’d say, ‘Go, worthy sir, fetch me that arched harp.’

So they’d fetch it and say, ‘This, sir, is that arched harp.’

He’d say, ‘I’ve had enough of that arched harp! Just fetch me the sound.’

They’d say, ‘Sir, this arched harp is made of many components assembled together, which make a sound when they’re played. That is, it depends on the soundbox, the leather resonator, the neck, the tuning cords, the strings, the plectrum, and a person to play it properly. That’s how an arched harp is made of many components assembled together, which make a sound when they’re played.’

But he’d split that harp into ten pieces or a hundred pieces, then splinter it up. He’d burn the splinters with fire, and reduce them to ashes. Then he’d whisk away the ashes in a strong wind, or glide them down a swift stream.

Then he’d say, ‘It seems that there’s nothing to this thing called an arched harp or whatever’s called an arched harp! But people waste their time with it, negligent and heedless!’

In the same way, a mendicant searches for form, feeling, perception, choices, and consciousness anywhere they might be reborn. As they search in this way, their ideas of ‘I’ or ‘mine’ or ‘I am’ are no more.”

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Translation by Bhikkhu Sujato · SuttaCentral · CC0

This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.