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← Saṃyutta Nikāya

With Tālapuṭa

SN 42.2 · Tālapuṭasutta

Young plants growing beneath a broad old tree.

At one time the Buddha was staying near Rājagaha in the Bamboo Grove, the squirrels’ feeding ground. Then Tālapuṭa the dancing chief came up to the Buddha, bowed, sat down to one side, and said to him:

“Sir, I have heard that the dancers of the past who were tutors of tutors said: ‘Suppose a dancer entertains and amuses people on a stage or at a festival with mixed truth and lies. When their body breaks up, after death, they’re reborn in the company of laughing gods.’ What does the Buddha say about this?”

“Enough, chief, let it be. Don’t ask me that.”

For a second time …

And for a third time Tālapuṭa said to the Buddha:

“Sir, I have heard that the dancers of the past who were tutors of tutors said: ‘Suppose a dancer entertains and amuses people on a stage or at a festival with mixed truth and lies. When their body breaks up, after death, they’re reborn in the company of laughing gods.’ What does the Buddha say about this?”

“Clearly, chief, I’m not getting through to you when I say: ‘Enough, chief, let it be. Don’t ask me that.’ Nevertheless, I will answer you.

When sentient beings are still not free of greed, and are still bound by greed, a dancer in a stage or festival presents them with even more arousing things. When sentient beings are still not free of hate, and are still bound by hate, a dancer in a stage or festival presents them with even more hateful things. When sentient beings are still not free of delusion, and are still bound by delusion, a dancer in a stage or festival presents them with even more delusory things. And so, being heedless and negligent themselves, they’ve encouraged others to be heedless and negligent. When their body breaks up, after death, they’re reborn in the hell called ‘Laughter’.

But if you have such a view: ‘Suppose a dancer entertains and amuses people on a stage or at a festival with mixed truth and lies. When their body breaks up, after death, they’re reborn in the company of laughing gods.’ This is your wrong view. An individual with wrong view is reborn in one of two places, I say: hell or the animal realm.”

When he said this, Tālapuṭa cried and burst out in tears.

“This is what I didn’t get through to you when I said: ‘Enough, chief, let it be. Don’t ask me that.’”

“Sir, I’m not crying because of what the Buddha said. But sir, for a long time I’ve been cheated, tricked, and deceived by the dancers of the past who were tutors of tutors, who said: ‘Suppose a dancer entertains and amuses people on a stage or at a festival with mixed truth and lies. When their body breaks up, after death, they’re reborn in the company of laughing gods.’

Excellent, sir! Excellent! As if he were righting the overturned, or revealing the hidden, or pointing out the path to the lost, or lighting a lamp in the dark so people with clear eyes can see what’s there, the Buddha has made the teaching clear in many ways. I go for refuge to the Buddha, to the teaching, and to the mendicant Saṅgha. Sir, may I receive the going forth, the ordination in the Buddha’s presence?”

And Tālapuṭa the dancing chief received the going forth, the ordination in the Buddha’s presence. Not long after his ordination, Venerable Tālapuṭa became one of the perfected.

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About this edition

Translation by Bhikkhu Sujato · SuttaCentral · CC0

This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.