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← Saṃyutta Nikāya

Many Daughters

SN 7.10 · Bahudhītarasutta

A weathered basalt headland above calm ocean swell and sea mist.

At one time the Buddha was staying in the land of the Kosalans in a certain forest grove.

Now at that time one of the brahmins of the Bhāradvāja clan had lost fourteen oxen. While looking for them he went to that forest grove, where he saw the Buddha sitting down cross-legged, his body set straight, and mindfulness brought to the present. He went up to the Buddha, and recited these verses in the Buddha’s presence:

“This ascetic mustn’t have fourteen oxen missing for the past six days: that’s why this ascetic is happy.

This ascetic mustn’t have a field of sesame ruined, with just one or two leaves: that’s why this ascetic is happy.

This ascetic mustn’t have rats in a vacant barn dancing merrily: that’s why this ascetic is happy.

This ascetic mustn’t have carpets that for seven months have been infested with fleas: that’s why this ascetic is happy.

This ascetic mustn’t have seven widowed daughters with one or two children each: that’s why this ascetic is happy.

This ascetic mustn’t have a wife with sallow, blotchy skin to wake him with a kick: that’s why this ascetic is happy.

This ascetic mustn’t have creditors knocking at dawn, demanding, ‘Pay up! Pay up!’: that’s why this ascetic is happy.”

“You’re right, brahmin, I don’t have fourteen oxen missing for the past six days: that’s why I’m happy, brahmin.

You’re right, brahmin, I don’t have a field of sesame ruined, with just one or two leaves: that’s why I’m happy, brahmin.

You’re right, brahmin, I don’t have rats in a vacant barn dancing merrily: that’s why I’m happy, brahmin.

You’re right, brahmin, I don’t have carpets that for seven months have been infested with fleas: that’s why I’m happy, brahmin.

You’re right, brahmin, I don’t have seven widowed daughters with one or two children each: that’s why I’m happy, brahmin.

You’re right, brahmin, I don’t have a wife with blotchy, pockmarked skin to wake me up with a kick: that’s why I’m happy, brahmin.

You’re right, brahmin, I don’t have creditors knocking at dawn, warning, ‘Pay up! Pay up!’: that’s why I’m happy, brahmin.”

When he had spoken, the brahmin said to the Buddha, “Excellent, worthy Gotama! Excellent! … As if he were righting the overturned, or revealing the hidden, or pointing out the path to the lost, or lighting a lamp in the dark so people with clear eyes can see what’s there, worthy Gotama has made the teaching clear in many ways. I go for refuge to the worthy Gotama, to the teaching, and to the mendicant Saṅgha. May I receive the going forth, the ordination in the worthy Gotama’s presence?”

And the brahmin received the going forth, the ordination in the Buddha’s presence. Not long after his ordination, Venerable Bhāradvāja, living alone, withdrawn, diligent, keen, and resolute, soon realized the supreme culmination of the spiritual path in this very life. He lived having achieved with his own insight the goal for which gentlemen rightly go forth from the lay life to homelessness.

He understood: “Rebirth is ended; the spiritual journey has been completed; what had to be done has been done; there is nothing further for this place.” And Venerable Bhāradvāja became one of the perfected.

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About this edition

Translation by Bhikkhu Sujato · SuttaCentral · CC0

This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.