When anger surges, they drive it out, as with medicine a cobra’s spreading venom. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They’ve cut off greed entirely, like a lotus plucked flower and stalk. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They’ve cut off craving entirely, drying up that swift-flowing stream. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They’ve swept away conceit entirely, as a fragile bridge of reeds by a great flood. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
In future lives they find no worth, as an inspector of fig trees finds no flower. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They hide no anger within, passed beyond any kind of existence. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
Their mental vibrations are cleared away, internally clipped off entirely. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have not run too far nor run back, but have gone beyond all this proliferation. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have not run too far nor run back, for they know that nothing in the world is what it seems. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have not run too far nor run back, knowing nothing is what it seems, free of greed. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have not run too far nor run back, knowing nothing is what it seems, free of lust. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have not run too far nor run back, knowing nothing is what it seems, free of hate. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have not run too far nor run back, knowing nothing is what it seems, free of delusion. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have no underlying tendencies at all, and are rid of unskillful roots, Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They have nothing born of distress at all to make them to return to the near shore. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
No snarl grows in them at all, that would shackle them to a new life. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
They’ve given up the five hindrances, untroubled, rid of indecision, free of thorns. Such a mendicant sheds the near shore and the far, as a serpent its old worn-out skin.
The Serpent
Snp 1.1 · Uragasutta

Connections
Collection & context
- Sutta NipātaThe collection containing this text
- The Pāli canonCanonical collection in which this edition is preserved
- Theravāda traditionsTransmission and study context
- The early Buddhist communityHistorical and traditional setting
Teachings named in the text
Books
- Handful of Leaves: an Anthology from the Sutta PiṭakaEarly Buddhist discourses; Ṭhānissaro Bhikkhu (translator and compiler) · Included in anthology
About this edition
Translation by Bhikkhu Sujato · SuttaCentral · CC0
This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.
Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.
The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.