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116. Citakapūjaka

Tha-ap 118

An imagined Tibetan landscape inspired by Mount Kailash.

Walt 1725 When Sikhi the Blessed One, the
Kinsman of the World, passed away,
I then lived in the royal sphere,
with the ministers and servants. Verse 1

Walt 1726 Happy, and with a happy heart,
I went to the shrine built for him.
Having turiya-drums played there
I laid a garland of flowers. Verse 2

Walt 1727 Having done pūjā at that shrine
and worshipping the shrine itself,
happy, and with a happy heart
I then returned to my own house. Verse 3

Walt 1728 Having entered my residence,
I called to mind that shrine-pūjā.
Through that deed for the Biped-Lord,
the World’s Best One, the Bull of Men, Verse 4

Walt 1729 having enjoyed great happiness
among humans and also gods,
I’ve attained the unshaking state
beyond all conquest and defeat. Verse 5

Walt 1730 In the thirty-one aeons since
I offered that flower to him,
I’ve come to know no bad rebirth:
that is the fruit of shrine-pūjā. Verse 6

Walt 1731 In the twenty-ninth aeon thence
there were sixteen different kings then,
all known by the name Uggata,
wheel-turning monarchs with great strength. Verse 7

Walt 1732 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 8

Thus indeed Venerable Citakapūjaka Thera spoke these verses.

The legend of Citakapūjaka Thera is finished.

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About this edition

Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.