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152. Tambapupphiya

Tha-ap 154

Small wildflowers growing between weathered stones.

Walt 1999 Employed in others’ transport work,
I committed a crime back then.
I was exiled to the forest;
filled with fear, I was terrified. Verse 1

Walt 2000 Having seen a tree in flower
with tiny, well-fashioned clusters,
picking a copper-colored bloom,
I scattered it on the Bodhi. Verse 2

Walt 2001 Having swept around that Bodhi,
the ultimate pāṭali tree,
getting into lotus posture,
I stayed at the Bodhi tree’s roots. Verse 3

Walt 2002 Searching for the road I’d gone on,
they then came into my presence.
And having seen them, then and there
I recalled the superb Bodhi. Verse 4

Walt 2003 Having worshipped the Bodhi tree
with a mind that was very clear,
I obtained varied tal trees then
inside a frightful mountain crag. Verse 5

Walt 2004 In the ninety-one aeons since
I offered that flower to him,
I’ve come to know no bad rebirth:
that’s the fruit of Buddha-pūjā. Verse 6

Walt 2005 In the thirtieth aeon hence
there was a king, Samphusita,
a wheel-turner with great power,
possessor of the seven gems. Verse 7

Walt 2006 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 8

Thus indeed Venerable Tambapupphiya Thera spoke these verses.

The legend of Tambapupphiya Thera is finished.

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Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.