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339. {342.} Tīṇuppalamāliya

Tha-ap 344

Three green and stone terraces rising along a quiet mountainside.

Walt 3084 On Candabhāgā River’s bank,
I was a monkey at that time.
I saw the Stainless Buddha who
was seated on a mountainside. Verse 1

Walt 3085 I was enraptured seeing him,
Shining Forth in All Directions,
like a regal sal tree in bloom,
Bearing the Great and Lesser Marks. Verse 2

Walt 3086 Happy, with my heart exultant,
and my mind bristling with joy,
I offered on the Buddha’s head
three lovely blue lotus flowers. Verse 3

Walt 3087 After offering those flowers
to Vipassi, the Greatest Sage,
approaching him respectfully
I then departed facing north. Verse 4

Walt 3088 Crouched over going off from there,
with a mind that was very clear,
I alighted on a mountain
and attained the end of my life. Verse 5

Walt 3089 Due to that karma done very well,
with intention and firm resolve,
discarding my human body,
I went to Tāvatiṁsa then. Verse 6

Walt 3090 And afterwards, three hundred times,
I ruled over the world of gods.
And furthermore five hundred times
I was a king who turned the wheel. Verse 7

Walt 3091 In the ninety-one aeons since
I did that flower-pūjā then,
I’ve come to know no bad rebirth:
that’s the fruit of Buddha-pūjā. Verse 8

Walt 3092 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 9

Thus indeed Venerable Tīṇuppalamāliya Thera spoke these verses.

The legend of Tīṇuppalamāliya Thera is finished.

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Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.