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← Therāpadāna

438. {441.} Vibhīṭakamiñjaya

Tha-ap 443

A river divides around a wooded island and joins again beyond it.

Walt 4717 Kakusandha, the Great Hero,
was a Master of Everything.
Alienated from the group,
he went into the forest then. Verse 1

Walt 4718 Having gathered numerous seeds,
I strung them on a piece of vine.
At that time the Blessed One was
meditating on a mountain. Verse 2

Walt 4719 Having seen the God of Gods, I,
with a mind that was very clear,
presented all those seeds to him,
the Hero, Deserving of Gifts. Verse 3

Walt 4720 Within the present aeon, since
I gave that fruit to him back then,
I’ve come to know no bad rebirth:
that’s the fruit of numerous seeds. Verse 4

Walt 4721 My defilements are now burnt up;
all new existence is destroyed.
Like elephants with broken chains,
I am living without constraint. Verse 5

Walt 4722 Being in Best Buddha’s presence
was a very good thing for me.
The three knowledges are attained;
I have done what the Buddha taught! Verse 6

Walt 4723 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 7

Thus indeed Venerable Vibhīṭakamiñjaya Thera spoke these verses.

The legend of Vibhīṭakamiñjaya Thera is finished.

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Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.