Skip to reading
← Therāpadāna

457. {460.} Gandhapūjaka

Tha-ap 462

A sheltered meadow beside a quiet mountain tarn.

Walt 4859 When the pyres were constructed
various scents were then gathered.
Happy, with pleasure in my heart,
I offered a handful of scents. Verse 1

Walt 4860 In the hundred thousand aeons
since I worshipped that pyre back then,
I’ve come to know no bad rebirth:
that’s the fruit of worshipping pyres. Verse 2

Walt 4861 My defilements are now burnt up;
all new existence is destroyed.
Like elephants with broken chains,
I am living without constraint. Verse 3

Walt 4862 Being in Best Buddha’s presence
was a very good thing for me.
The three knowledges are attained;
I have done what the Buddha taught! Verse 4

Walt 4863 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 5

Thus indeed Venerable Gandhapūjaka Thera spoke these verses.

The legend of Gandhapūjaka Thera is finished.

The Summary:

Jagatī and Morahatthī,
Āsanī, Ukkadhāraka,
Akkamī, Vanakoraṇḍī,
Chattada, Jātipūjaka,
and the elder Paṭṭipupphī,
the tenth is Gandhapūjaka.
There are sixty-seven verses
which are counted by those who know.

The Jagatidāyaka Chapter, the Forty-Sixth

Connections

Collection & context

About this edition

Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.