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489. {492.} Paṁsukūlapūjaka

Tha-ap 494

A birch tree beside a still mountain lake, its reflection and morning mist.

Walt 5256 In the Himalayan region,
there’s a mountain named Udaka.
There I saw the Buddha’s rag-robe,
stuck up in the top of a tree. Verse 1

Walt 5257 Plucking three kiṅkhani flowers,
that were growing there at that time,
happy, and with a happy heart,
I offered them to that rag-robe. Verse 2

Walt 5258 Due to that karma done very well,
with intention and firm resolve,
discarding my human body,
I went to Tāvatiṁsa then. Verse 3

Walt 5259 In the ninety-one aeons since
I did pūjā to that Buddha,
I’ve come to know no bad rebirth:
that’s the fruit of Buddha-pūjā. Verse 4

Walt 5260 My defilements are now burnt up;
all new existence is destroyed.
Like elephants with broken chains,
I am living without constraint. Verse 5

Walt 5261 Being in Best Buddha’s presence
was a very good thing for me.
The three knowledges are attained;
I have done what the Buddha taught! Verse 6

Walt 5262 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 7

Thus indeed Venerable Paṁsukūlapūjaka Thera spoke these verses.

The legend of Paṁsukūlapūjaka Thera is finished.

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Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.