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← Therāpadāna

514. {517.} Kuṭajapupphiya

Tha-ap 519

A still pool reflects willow branches within a dry stony streambed.

Walt 5493 In the Himalayan region,
there’s a mountain named Cāvala.
The Buddha named Sudassana
was living on the mountainside. Verse 1

Walt 5494 Taking Himalayan flowers,
I traveled through the sky back then.
I saw the Buddha, Stainless One,
the Flood-Crosser, the Undefiled. Verse 2

Walt 5495 Taking a winter-cherry bloom,
I placed it on his head just then.
I offered it to the Buddha,
the Self-Become One, the Great Sage. Verse 3

Walt 5496 In the thirty-one aeons since
I offered him that flower,
I’ve come to know no bad rebirth:
that’s the fruit of Buddha-pūjā. Verse 4

Walt 5497 My defilements are now burnt up;
all new existence is destroyed.
Like elephants with broken chains,
I am living without constraint. Verse 5

Walt 5498 Being in Best Buddha’s presence
was a very good thing for me.
The three knowledges are attained;
I have done what the Buddha taught! Verse 6

Walt 5499 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 7

Thus indeed Venerable Kuṭajapupphiya Thera spoke these verses.

The legend of Kuṭajapupphiya Thera is finished.

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Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.