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51. Vidhūpanadāyaka

Tha-ap 53

A pine branch reflected in an open still pond.

Walt 1258 I dedicated a fan to
Padumuttara the Buddha,
the World’s Best One, the Neutral One,
the Such-Like Lord of all Bipeds. Verse 1

Walt 1259 Bringing pleasure to my own heart,
pressing both my hands together,
having worshipped the Sambuddha,
I departed facing the north. Verse 2

Walt 1260 Picking up the fan I gave him
the Teacher, the World’s Chief Leader;
standing in the monks’ Assembly
then spoke these verses about me: Verse 3

Walt 1261 “Because of this gift of a fan
and the resolve in his own heart,
for one hundred thousand aeons
he won’t go to a place of grief. Verse 4

Walt 1262 Resolved, with strenuous effort,
attentive to the heart’s virtue,
he will attain arahantship
when he’s only seven years old. Verse 5

Walt 1263 In sixty thousand aeons hence
he will be sixteen different kings
who’ll all be named Vijamāna,
wheel-turning monarchs with great strength.” Verse 6

Walt 1264 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 7

Thus indeed Venerable Vidhūpanadāyaka Thera spoke these verses.

The legend of Vidhūpanadāyaka Thera is finished.

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About this edition

Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.