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63. Paccāgamanīya

Tha-ap 65

A dark coastal rock and tidal hollow overlook a quiet open sea.

Walt 1361 I was a ruddy goose back then
along the Indus River’s bank,
subsisting only on white moss,
and well-restrained in terms of sins. Verse 1

Walt 1362 I saw the Buddha, Stainless One,
traveling across the sky there.
Taking a sal blossom with my beak
I honored Buddha Vipassi. Verse 2

Walt 1363 He with faith in the Thus-Gone-One,
unshaking and well-established,
through feeling pleasure in his heart
will not go on to bad rebirth. Verse 3

Walt 1364 Being in Best Buddha’s presence
was a very good thing for me.
Good seeds have been planted by me
when I was a bird way back then. Verse 4

Walt 1365 In the ninety-one aeons since
I presented him that flower,
I’ve come to know no bad rebirth:
that’s the fruit of Buddha-pūjā. Verse 5

Walt 1366 There were eight men who had one name
which was Sucarudassana.
They were wheel-turners with great strength
full seventeen aeons ago. Verse 6

Walt 1367 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 7

Thus indeed Venerable Paccāgamanīya Thera spoke these verses.

The legend of Paccāgamanīya Thera is finished.

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About this edition

Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.