Skip to reading
← Therāpadāna

90. Padumapupphiya

Tha-ap 92

Gentle waves moving around smooth stones on a quiet shore.

Walt 1547 I lived in a lotus forest
eating lotus flowers back then.
I saw Phussa, the Sambuddha,
Bearing the Thirty-two Great Marks. Verse 1

Walt 1548 Picking up a lotus flower
I tossed it up into the air.
Having done this pleasing karma
I went forth into homelessness. Verse 2

Walt 1549 Having renounced, with self-control
over my body and my mind,
and refraining from bad speech-acts
I purified my livelihood. Verse 3

Walt 1550 In the ninety-two aeons since
I offered that flower to him,
I’ve come to know no bad rebirth:
that’s the fruit of Buddha-pūjā. Verse 4

Walt 1551 There were eighteen lords of the earth
all known as Padumābhāsa,
and in the eighteenth aeon hence
there were forty-eight such monarchs. Verse 5

Walt 1552 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 6

Thus indeed Venerable Padumapupphiya Thera spoke these verses.

The legend of Padumapupphiya Thera is finished.

The Summary:

Timira, Nangalipupphī,
Nipannañjalika, Adha,
two Raṁsisaññis, Phalada,
Saddasaññī and Sevaka,
Padumapupphī and verses
fifty-six have been detailed here.

The Timirapupphiya Chapter, the Ninth.

Connections

Collection & context

About this edition

Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.