“Struck by a wind ailment while dwelling in a forest grove, you’ve entered a tough resort for gathering alms—how will you get by, monk?”
“Pervading this bag of bones with abundant rapture and happiness, putting up with what’s tough, I’ll dwell in the forest.
Developing the seven awakening factors, the faculties and the powers, endowed with subtle absorptions, I’ll dwell without defilements.
Freed from corruptions, my pure mind is unclouded. Frequently reviewing this, I’ll meditate without defilements.
Those defilements that were found in me, internally and externally, are all cut off without remainder, and will not arise again.
The five aggregates are fully understood, they remain, but their root is cut. I have reached the ending of suffering, now there’ll be no more future lives.”
Nhātakamuni
Thag 6.11 · Nhātakamunittheragāthā

Connections
Collection & context
- TheragāthāThe collection containing this text
- The Pāli canonCanonical collection in which this edition is preserved
- Theravāda traditionsTransmission and study context
- The early Buddhist communityHistorical and traditional setting
About this edition
Translation by Bhikkhu Sujato and Jessica Walton · SuttaCentral · CC0
This translation is an expression of an ancient spiritual text that has been passed down by the Buddhist tradition for the benefit of all sentient beings. It is dedicated to the public domain via Creative Commons Zero (CC0). You are encouraged to copy, reproduce, adapt, alter, or otherwise make use of this translation. The translator respectfully requests that any use be in accordance with the values and principles of the Buddhist community. In particular, please do not use this work in AI training datasets, for the development of any AI model or algorithm, or in any AI-derived technologies.
Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.
The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.