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12. Salalapupphikā

Thi-ap 12

Clear spring water flowing over the edge of a mossy rock basin.

Walt 151 On Candabhāgā River’s bank,
I was a kinnarī back then.
And then I saw the God of Gods,
Bull of Men, walking back and forth. Verse 1

Walt 152 Plucking a salala flower,
I gave it to the Best Buddha.
And then the Great Hero did sniff
the salala with divine scent. Verse 2

Walt 153 Accepting it the Sambuddha,
Vipassi, Leader of the World,
Great Hero then sniffed it again
for me while I was watching him. Verse 3

Walt 154 Pressing my hands together then,
I worshipped the Best of Bipeds.
Bringing pleasure to my own heart,
I then ascended the mountain. Verse 4

Walt 155 In the ninety-one aeons since
I gave him that flower back then,
I’ve come to know no bad rebirth:
that’s the fruit of Buddha-pūjā. Verse 5

Walt 156 My defilements are now burnt up;
all new existence is destroyed.
Like elephants with broken chains,
I am living without constraint. Verse 6

Walt 157 Being in Best Buddha's presence
was a very good thing for me.
The three knowledges are attained;
I have done what the Buddha taught! Verse 7

Walt 158 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 8

Thus indeed Bhikkhunī Salalapupphikā spoke these verses.

The legend of Salalapupphikā Therī is finished.

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About this edition

Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.