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Zen poetry

Chan & Zen · eight selected poems

A pine on a rocky ledge above mountain ridges and pale dawn mist.

The mirror · Shenxiu

Traditionally attributed to Shenxiu (Shên-hsiu) · translated by D. T. Suzuki

“This body is the Bodhi-tree,
The soul is like a mirror bright;
Take heed to keep it always clean,
And let not dust collect on it.”

The response · Huineng

Traditionally attributed to Huineng (Hui-nêng) · translated by D. T. Suzuki

“The Bodhi is not like the tree,
The mirror bright is nowhere shining;
As there is nothing from the first,
Where can the dust itself collect?”

The hillside field · Wuzu Fayan

Wuzu Fayan (Hōyen / Fa-yen) · translated by D. T. Suzuki

“A patch of farm land quietly lies by the hill,
Crossing my hands over the chest I ask the old farmer kindly:
‘How often have you sold it and bought it back by yourself?’
I like the pines and bamboos that invite a refreshing breeze.”

Crossing the bridge · Fu Dashi

Fu Dashi (Fudaishi / Fu-ta-shih) · translated by D. T. Suzuki

“Empty-handed I go and yet the spade is in my hands;
I walk on foot, and yet on the back of an ox I am riding:
When I pass over the bridge,
Lo, the water floweth not, but the bridge doth flow.”

A weathered wooden water bucket beside split firewood on damp stone.

Water and firewood · Layman Pang

Layman Pang (Hō-kōji) · quoted verse · translated by D. T. Suzuki

“How wondrously supernatural,
And how miraculous, this!
I draw water, and I carry fuel!”

The seasons · Wumen

Wumen (Mumon / Wu-mên) · translated by D. T. Suzuki

“Hundreds of spring flowers; the autumnal moon;
A refreshing summer breeze; winter snow:
Free thy mind of all idle thoughts,
And for thee how enjoyable every season is!”

Moonlight reflected in a still woodland pool beside fallen leaves and reeds.

Bamboo shadows and moonlight

Anonymous · no author named in the source edition · translated by D. T. Suzuki

“The bamboo shadows are sweeping the stairs,
But no dust is stirred:
The moonlight penetrates deep in the bottom of the pool,
But no trace is left in the water.”

Song of Meditation · Hakuin

Hakuin Ekaku · complete poem · translated by D. T. Suzuki

All sentient beings are from the very beginning the Buddhas:
It is like ice and water;
Apart from water no ice can exist,
Outside sentient beings, where do we seek the Buddhas?
Not knowing how near the Truth is,
People seek it far away,—what a pity!
They are like him who, in the midst of water,
Cries in thirst so imploringly;
They are like the son of a rich man
Who wandered away among the poor.
The reason why we transmigrate through the six worlds,
Is because we are lost in the darkness of ignorance;
Going astray further and further in the darkness,
When are we able to get away from birth-and-death?

As regards the Meditation practised in the Mahayana,
We have no words to praise it fully,
The Virtues of Perfection such as charity and morality,
And the invocation of the Buddha’s name, confession, and ascetic discipline,
And many other good deeds of merit,—
All these issue from the practise of Meditation.
Even those who have attained it even for one sitting,
Will see all their evil karma wiped clean;
Nowhere they will find the evil paths,
But the Pure Land will be near at hand.
With a reverential heart, let them to this Truth
Listen even for once.
And let them praise it, and gladly embrace it,
And they will surely be blessed most infinitely.

For such as, reflecting within themselves,
Testify to the Truth of Self-nature,
To the Truth that Self-nature is no-nature,
They have really gone beyond the ken of sophistry.
For them opens the gate of the oneness of cause and effect,
And straight runs the path of non-duality and non-trinity.
Abiding with the Not-particular in particulars,
Whether going or returning, they remain for ever unmoved;
Taking hold of the Not-thought in thoughts,
In every act of theirs they hear the voice of Truth.
How boundless the sky of Samadhi unfettered!
How transparent the perfect moon-light of the Fourfold Wisdom!
At that moment what do they lack?
As the Truth eternally calm reveals itself to them,
This very earth is the Lotus Land of Purity,
And this body is the body of the Buddha.

Translations & sourcesEditions & translators
Essays in Zen Buddhism · First Series (1927) ↗

Selected from D. T. Suzuki’s First Series. The 1927 edition is public domain in the United States; historical spellings and translation choices are retained.

Edition & attribution

Selected poems and verses translated by D. T. Suzuki, from Essays in Zen Buddhism, First Series (London: Luzac, 1927). The edition is public domain in the United States; copyright status may differ elsewhere.

This is an eight-poem anthology, not a complete collection. Hakuin’s Song of Meditation is complete as printed in this edition. The Layman Pang verse is the short selection quoted by Suzuki. The Shenxiu and Huineng attributions are traditional. Descriptive section titles and author labels are editorial. Source wording, verse lines and stanza breaks are preserved; page numbers and footnote callouts are omitted. Historical terminology reflects the 1927 translation.

The three accompanying images are original AI-generated atmospheric artwork, not historical depictions or photographs of actual practice sites. They are separate from the translated texts.

Eight selected poems · D. T. Suzuki’s 1927 translations.

Introductions, reflection questions and added section headings are editorial material, separate from the attributed translation.

The opening image is AI-generated nature artwork created for Buddhist Atlas. It is an evocative companion, not a depiction of the text’s historical setting.

Eight poems · read here

Source link checked October 29, 2026. The linked publisher provides the text and its usage terms.

Connections
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People & teachers3
  • D. T. Suzuki

    Translator of the poems and author of the 1927 source volume; not the author of the source verses.

    Source
  • Hakuin Ekaku

    Author of the Song of Meditation reproduced in this anthology.

    Source
  • Huineng

    Traditional attribution of the response verse in the Platform Sūtra narrative; not a claim of a verbatim historical record.

    Source
Traditions & history2
Topics2

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About this textContext & reading guide

A small anthology of eight Chan and Zen poems and verses in D. T. Suzuki’s 1927 translations. The paired Shenxiu and Huineng verses belong to the traditional Platform Sūtra narrative, not a verbatim historical record. Hakuin’s Song of Meditation is reproduced in full; Layman Pang’s verse is the three-line selection quoted by Suzuki. Other titles are editorial. The original edition’s historical vocabulary and spellings are retained.