Notes on the Translation
We have translated the title Buddhāvataṃsaka as A Multitude of Buddhas. The title avataṃsaka is derived from avataṃsa. In Classical Sanskrit, avataṃsa describes a garland or any circular ornamentation. For example, karṇāvataṃsa (ear avataṃsa) means “earring.” One Tibetan translation of buddhāvataṃsaka is “the Buddha’s earring” (sangs rgyas kyi snyan gyi gong rgyan). A kusumāvataṃsa (flower avataṃsa) is a flower garland that is worn by a person, hence another Tibetan translation of buddhāvataṃsaka is “the Buddha’s garland,” using an obscure archaic word with various spellings (rmad ga chad, rma ga chad, or rmag chad). Thomas Cleary, translating into English from the Chinese Huayan, calls it Flower Ornament. However, in Buddhist Hybrid Sanskrit, avataṃsaka means “a great number,” “a multitude,” or “a collection.” Therefore, we have the Tibetan version of the title as A Multitude of Buddhas (sangs rgyas phal po che). phal po che is used elsewhere in the Kangyur to translate Classical Sanskrit words meaning “multitude,” such as nicaya; or, for example, mahat janakāya (“a great assembly of beings”) is translated as skye bo phal po che. Although sangs rgyas phal po che is the title given to the sūtra in all Kangyurs, some Kangyurs, such as Degé, Urga, and the Comparative Edition (dpe bsdur ma), which is based on Degé, have the title The Mahāvaipulya Sūtra Entitled Buddha Garlands (sangs rgyas rma ga chad) at the conclusion of each fascicle. Perhaps this is the residue of an initial translation, before the title was revised. The Mahāvyutpatti dictionary, compiled by those engaged in the translation of this sūtra, gives phal po che for avataṃsaka, and neither rma ga chad nor its variant forms appear anywhere in that dictionary. This variant title rma ga chad is not found in the conclusion of the chapters in the Lhasa, Stok Palace, Narthang, Lithang, and Shelkar Kangyurs. This translation follows the example of those Kangyurs.
Whatever the original intended meaning of the title, the Tibetan translation as phal po che (“multitude”) is not inappropriate, as A Multitude of Buddhas depicts a multitude of buddhas, including a multitude of Śākyamunis that are all emanations of the Buddha Vairocana.
The Tibetan translators appear to have either made unusual choices in the interpretation of the verses in particular, or they may have been using a manuscript with unusual variants. They occasionally translated the same Sanskrit word differently and translated different Sanskrit words with the same Tibetan word. For example, in one passage that in the English translation forms one paragraph, the Tibetan word gnas was used to translate ālaya, niketa, and the suffix -ka. This has caused certain passages in Tibetan to be comparatively obscure, as the specificity of the Sanskrit has been lost.
For this translation, when the Sanskrit words in the prose and accompanying verses correspond, then the English has also been made to match, which the Tibetan translation did not always do.
The use of numbers is unusual in the sūtra. Niyuta and koṭi, “a million” and “ten million” respectively, are usually translated as sa ya and bye ba. However, niyuta or nayuta in BHS can also mean “a hundred thousand million,” which is translated into Tibetan as khrag khrig. The Tibetan translation of the sūtra, however, translates niyuta as “ten million” (bye ba) and koṭi as “a hundred thousand million” (khrag khrig).
There are certain Sanskrit terms translated by words that have a generally known meaning in Tibetan that does not match their context in this sūtra. For example, pratibha here means “brilliance of mind” or “eloquence,” but it is translated as spobs pa. While the Tibetan definitions of this word include shes rab (“wisdom”) and smra nus (“ability to speak,” “eloquence”), this word is primarily defined and known as meaning “confidence,” but this is not the intended meaning here. Adhiṣṭhāna is used in the sūtra to mean “a basis” or “support,” as in the Mahāvyutpatti dictionary’s gzhi or rten. The Tibetan translation uses byin rlabs (“blessing”). Abhiṣekha (literally “sprinkling”) was translated into Tibetan as dbang skur. Both the Sanskrit and Tibetan are known in the West as referring to “empowerment” or “initiation” in the context of tantra, but in this sūtra, as elsewhere in Sanskrit, it specifically refers to the consecration of a crown prince to become a king: the consecration of the bodhisattva by the buddhas, the final stage of the path to buddhahood, is presented as being analogous to the consecration of a crown prince.
As for the use of pronouns, “he” is frequently used in referring to a bodhisattva in the translation, as the Sanskrit pronoun is specifically male, for in the context of a number of Mahāyāna sūtras and commentaries the advanced bodhisattva, like a buddha, has to be male.
There are numerous lists of qualities, often in sets of tens. The groupings of these qualities are clear in Sanskrit, but in the Tibetan version it is unclear where one set ends and the other begins. In this translation the lists have been separated by formatting, and each successive quality has been numbered.