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477. {480.} Pulinacaṅkamiya

Tha-ap 482

Sunlit grass seed heads beside a quiet woodland path.

Walt 5025 In the past, in a forest grove,
I was a man who hunted deer.
Searching after a vāta-deer,
I saw the Buddha’s walkway there. Verse 1

Walt 5026 Happy, with pleasure in my heart,
taking sand in my lap-pocket,
I sprinkled it on the walkway
of the Well-Gone One, Splendid One. Verse 2

Walt 5027 In the thirty-one aeons since
I sprinkled that sand at that time,
I’ve come to know no bad rebirth:
that is the fruit of giving sand. Verse 3

Walt 5028 My defilements are now burnt up;
all new existence is destroyed.
Like elephants with broken chains,
I am living without constraint. Verse 4

Walt 5029 Being in Best Buddha’s presence
was a very good thing for me.
The three knowledges are attained;
I have done what the Buddha taught! Verse 5

Walt 5030 The four analytical modes,
and these eight deliverances,
six special knowledges mastered,
I have done what the Buddha taught! Verse 6

Thus indeed Venerable Pulinacaṅkamiya Thera spoke these verses.

The legend of Pulinacaṅkamiya Thera is finished.

The Summary:

Naḷamālī, Maṇidada,
Ukkāsatika, Vījanī,
Kummāsa and Kusaṭṭha too,
also Giripunnāgiya,
Vallikāra, Pānadhida
and then Pulīnacaṅkama:
five and ninety are the verses
that are counted by those who know.

The Naḷamāli Chapter, the Forty-Eighth

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About this edition

Translation by Jonathan S. Walters · SuttaCentral · CC BY-NC-SA 3.0 US

Noncommercial reuse with attribution and the same license. Original publication and digitization credits are preserved below.

Translated by Jonathan S. Walters.

Whitman College, 2017

Legends of the Buddhist Saints (Apadāna) is released under the Attribution, Non-Commercial, Share Alike license.

This is the first-ever complete translation of Apadāna into a Western language.

For more information, visit apadanatranslation.org

Prepared for SuttaCentral by Ayya Vimala.

Published source. Translation wording and order are preserved; source headings and notes are retained, with navigation and formatting adapted for this reader.

The opening image is AI-generated nature artwork for Buddhist Atlas, an evocative companion rather than a historical depiction.