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Therīgāthā · Poems of the Elder Nuns

Thig 6:4 Sujātā

34 selected poems · translated by Ṭhānissaro Bhikkhu

Thig 6:4  Sujātā

Ornamented, well-dressed,

garlanded, sprinkled with sandalwood,

covered all over with jewelry,

surrounded by a group of slave-women,

taking food & drink,

and not a little staple & non-staple food,

leaving the house,

I fetched myself to the pleasure garden.

Having enjoyed ourselves & played there,

we headed back to our home.

I saw in Sāketa a hall at the Añjana wood.

I entered.

Seeing the light of the world,

I, paying homage, sat nearby.

He, the One with Eyes,1

from sympathy,

taught me the Dhamma.

Hearing the Great Seer, I

fully penetrated

the truth.

Right there I touched the Dhamma,

dustless, the deathless state.

Then, knowing the True Dhamma,

I went forth

into homelessness.

The three knowledges

are attained.

The Buddha’s bidding

is not in vain.

Note

1. Since Vedic times, there has been a belief in India that the eyes of holy individuals where particularly powerful because they could see so deeply into reality. From this belief grew a further belief: that the eyes of such individuals were so powerful that their eyes could transmit some of that power to others. Thus, to be gazed on by such an individual, or to gaze into that individual’s eyes, was considered to be very auspicious. Sujātā’s reference to the Buddha as “the One with Eyes” carries all of these connotations. For more on this topic, see Sn 5:5 and DN 16, note 44.

Translations & sourcesEditions & translators
Explore poems at Dhammatalks.org ↗

Ṭhānissaro Bhikkhu’s anthology of poems attributed to elder nuns. This source offers selections from the larger collection.

Edition & attribution

Translated by Ṭhānissaro Bhikkhu. These 34 selected poems are reproduced from dhammatalks.org under CC BY-NC 4.0. Formatting adapted for Buddhist Atlas; wording unchanged. This is a selection, not the complete Therīgāthā.

An introduction. Follow the source link below to read the translated text.

Introductions, reflection questions and added section headings are editorial material, separate from the attributed translation.

The opening image is AI-generated nature artwork created for Buddhist Atlas. It is an evocative companion, not a depiction of the text’s historical setting.

Selected translations · free

Source link checked October 1, 2026. The linked publisher provides the text and its usage terms.

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Therīgāthā — selected poems